As if in answer to Pink’s repeated questions, the sudden appearance of the doctor’s voice assures the listener and Pink that yes, somebody is “out there,” though as we’ll find out the “help” he brings isn’t exactly the kind of communal salvation from his wall that Pink had in mind. “Hello? Is there anybody in there?” the doctor asks, unknowingly juxtaposing the phrases of “out there / in there” and thereby highlighting the separation between the reality of the outside world and Pink’s dream-like inner sanctum. In the same interview, Waters went on to describe the song as Pink’s “confrontation with the doctor,” alluding to the tension between the outter and inner worlds that is set up right from the beginning. Curiously, the lyrics begin with an inversion of Pink’s previous question, with Roger Waters acting in the guise of a doctor who, as interviewer Tommy Vance described, is brought in by the manager to put Pink “in such a physiological state that he can actually hit the stage” later that night. Yet not only is the song an important number in the Floyd catalog but it is also arguably one of the most important songs in the album’s second half in terms of both narrative and theme.įollowing Pink’s final question (“Is there anybody out there?”) at the end of “Bring the Boys Back Home,” “Comfortably Numb” begins with a moody bass, spartan drum beat, and wavering guitars, a musical representation of Pink’s drifting consciousness and his hazy realization of being spoken to from both outside of his mental wall and inside the physical one of his hotel room. The brilliant musical arrangements, haunting guitar solos, ethereal vocals and sweeping lyrics illustrate just why this band is considered one of the best in the history of rock music. Or many fans, “Comfortably Numb” is the quintessential Pink Floyd song.
Song In A Sentence: Pink’s emotional journey into the past is both interrupted and heightened when his management breaks into the hotel room and has a doctor inject him with a drug that will snap him out of his drug-induced malaise, ensuring that he can still perform at a concert later that evening.
When I was a child I caught a fleeting glimpse I can't explain, you would not understand Your lips move but I can't hear what you're saying.
Come on, now, I hear you're feeling down.
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